Exhibition
Alex Sewell. Dad?
8 Feb 2023 – 25 Mar 2023
Regular hours
- Monday
- Closed
- Tuesday
- 10:00 – 18:00
- Wednesday
- 10:00 – 18:00
- Thursday
- 10:00 – 18:00
- Friday
- 10:00 – 18:00
- Saturday
- 10:00 – 18:00
- Sunday
- 10:00 – 18:00
Address
- 183 Stanton Street
- New York
New York - 10002
- United States
About
TOTAH presents Dad?, an exhibition of new paintings by artist Alex Sewell. Dad? opens February 8th, 2023. This is Sewell’s third solo exhibition with the gallery.
In the context of Alex Sewell’s recent body of work, autobiography and formal innovation are brought into graceful confluence. With some paintings dating from the pandemic, and others reckoning with the joys and responsibilities of fatherhood, Sewell continues to recast objects earmarked by desuetude or nostalgia, reframing them as spectral talismans.
A sense of rejuvenated wonder runs across Sewell’s canvases. In works like If you have ghosts, you have everything what stands out is less the camping scene depicted than the eerie mode of rendering paint as if it were construction paper. Implications of isolation, and the fragility of personal identity, are literalized in the painting via its patchwork surface. While seemingly pieced together after the manner of collage, If you have ghosts, you have everything spells out an enigmatic tale all the more elusive for depicting undomesticated objects in ritualistic detail.
Sewell’s use of realism functions more like a hallucination than a waking dream. A key technique in his painterly arsenal is the depiction of a frame within a frame, which weighs down the viewer's gaze with the compunction of a peeping voyeur. In line with the more autobiographical tendencies of his current body of work, the frames Sewell paints are often actual picture frames, windows, TV screens. In Neighbors, for example, the motif of a window lends the painting a found quality, as though the cartoonishly destructive doodles situated in the painting were less blueprints than actual weapons. The fact that the window peers out into a landscape empty except for darkened greenery further exemplifies the way in which Sewell balances fictive leaps of imagination with studious perception, autobiography with fantasy.
The question of where the miraculous resides in the everyday haunts Sewell's paintings, like a kind of Transcendentalist keepsake. In this way, Dad? invokes less the status of parentage, and opts to recontextualize questions of authorship. His paintings environ viewers in the shock of epiphanic awareness, where the imagination has suddenly overwhelmed the real. In each object Sewell depicts, the light of conventional wisdom is set on display, then devoured by a riot of girandoles eating into the atmosphere of tradition. What's born of this is a gentle schizophrenia, where objects are less dubious than insightful, and where herniations of nostalgia rupture the bedrock of normalcy with detonations of ghostly imagery.