The exhibition is an immersive multi-media installation that draws on the artist’s reflections on two recent visits to the memorial site of Auschwitz-Birkenau. This visceral piece features soil gathered from the site, specifically from the soles of shoes worn by members of the anti-fascist group she visited with. The trips were organised by the UAF (Unite Against Fascism campaign group) as part of their annual educational programme.
Lorna’s mother, Esther was a prisoner in Auschwitz during the war, as was her grandmother, who was murdered there. Esther Brunstein was a veteran anti Nazi and Human Rights campaigner, passionate about educating young people of the importance of raising awareness of the Holocaust; her father Stanislaw was an artist, they met in the Yiddish theatre in the East End. Lorna’s father died in 1994 and her mother in 2017.
Based in the South West, this is the first time the artist is showing her work in London. Following the death of her mother 2 years ago, Lorna says, “it feels appropriate and indeed necessary for the work to be shown here – it is taking the work back home”
This exhibition has triggered a long held desire of Lorna’s to explore the area of her childhood and she intends to use this opportunity to creatively rediscover memories of Whitechapel, the heart of 1950’s Jewish East End.
Lorna has been making artwork from her experience growing up as a second generation survivor for over twenty years. She explores this legacy in her art focusing on issues of identity, loss, belonging, memory and inherited trauma.
The show will include film made together with Lorna’s partner Richard White, with whom she has previously collaborated on several projects, including most recently, ‘Forced Walks: Honouring Esther’ – a performative arts walk that retraced the Nazi death route of her mother from a slave-labour camp in Germany to Bergen-Belsen.