Adam Bohman presents the first in a short series of performances at Hundred Years Gallery. Plus: Mark Rathmell: audio-visual installation: Inside The Mind of John Shed: Shed Heaven, Shed Shame & Shed Drunk.
The Bohman aesthetic can be a dense and tangled thing to unpick and describe. Various and nefarious sounds and artistic influences merge and collide, Varèsian sound montage supporting spoken word material sourced from a pub menu, or frenetic juxtapositions between amplified shoe brushes and a frenzied tape cut-up of 17th Century instruments. Sound art which oscillates between states of the absurd and sonically grotesque, and highly articulate explorations of extra-musical sound.
Adam Bohman: prepared strings and amplified objects & Tom Scott: saxophones, clarinets and electronics.
Mark Rathmell: audio-visual installation Inside The Mind of John Shed: Shed Heaven, Shed Shame & Shed Drunk.
Pete Jones & Richard Bremmer read selections from WH Auden
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