Long-term friends of the London International Mime Festival, Brussels-based comedy duo Fiona Gordon and Dominique Abel will be known to film fans primarily through their recent features, including Lost in Paris (2017).
This programme brings together three of their early shorts. In Rosita (1997) the pair are a fortune teller and her assistant, working out of a dilapidated caravan; in Merci Cupidon (1994) attraction sparks between their two oddball singletons in a strange, out-of-the-way nightspot; and in Walking on the Wild Side (2004), an awkward misunderstanding occurs between a man and a cleaning-lady.
Phenomenal physical performers, the duo are steeped in the grand French physical-comedy tradition of Jacques Tati and Pierre Étaix, who are also represented in the programme. In The School for Postmen (1947), Tati is a bumbling rural postman on a bike; meanwhile, in Rupture (1961), Étaix is a thwarted lover who finds inanimate objects conspire against him as he attempts to reply to a break-up letter.
We are delighted that Abel & Gordon have recorded a special introduction and a ScreenTalk with Festival directors Helen Lannaghan and Joseph Seelig for our screening.
The School for Postmen (France 1946 Dir Jacques Tati 15 min Digital)
Rupture (France 1961 Dir Pierre Etaix 11 min Digital)
Merci Cupidon (France 1994 Dirs Fiona Gordon, Bruno Romy, Dominique Abel 13 min Digital)
Rosita (Belgium 1997 Dirs Fiona Gordon, Dominique Abel 13 min 35mm)
Walking on the Wild Side (Belgium 2000 Dirs Fiona Gordon, Dominique Abel 13 min Digital)