A Slow Waltz

8 Dec 2018 – 28 Dec 2018

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Sawtooth ARI

Tasmania, Australia

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A provocative quote by Kazimir Malevich complemented with recent astrophysical theories about dark energy, dark matter and time are the origin of reductive work by Amarie Bergman that centres on “a pure notion of infinity, given material form.” This purity, transmitted through dimensions and translated by concepts into objects, waltzes around boundaries of perceptions within the volumes of apparently immeasurable space.

A motivating factor for the exhibition this year, with two different site-specific versions at Abstract Project / Paris in September and Sawtooth Artist Run Initiative (ARI) / Launceston in December, is to honour the 139th anniversary of Malevich’s birth. To present the tangible modality of reductive art in the 21st century, while simultaneously celebrating ‘codes’ of Malevich and astrophysics, equates to a metaphysical continuity.




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