CHARLIE SMITH LONDON is delighted to present Alex Gene Morrison with his second one person exhibition at the gallery.
This new collection of paintings signifies a culmination of ideas that Morrison has been exploring for over ten years. There is a distinctively anthropological feeling to his images of skulls, forests, monsters and totemic abstract forms that call to mind the primitive and tribal. Signifiers of fire and raw electrical energy convey thoughts of destruction, transformation and re-animation via elemental forces. Morrison reminds us that there are embedded, archetypal elements within us that abridge modern and primeval man. Simultaneously, ongoing obsessions with horror and sci-fi movies; video games; sub cultural design; alternative music and the oppressive, unrelenting rhythms of Doom Metal all seep into and out of the work.
This sense of deep time, which is intrinsic to the work, is coupled with a knowing enquiry into Modern abstract painting, where Morrison references formalist tropes that were defined by 20th century avant-garde movements including Suprematism, Vorticism, Abstract Expressionism and Neo-Geo. Inherent within all of these was a departure from representation and gravitation towards a search for purity of expression and the universal via abstraction. Morrison intelligently absorbs these ideological and painterly languages, and in doing so, creates a unique and alternative visual language that invites his audience to go behind the surface through fractures, splits and tears. Rendered in dark, textured paint and in combination with his use of archetypal simulacra, Morrison presents us with resonant, metaphysical paintings.
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