The Architectural Review: A Cover Story
A Cover Story traces the Architectural Review’s graphic and scholarly evolution under the direction of Hubert de Cronin Hastings, whose theory of Townscape greatly influenced the magazine’s ethos and aesthetic during the 1940s and 1950s.
Hastings became joint director of the magazine in 1925 and from this point up to his retirement in 1973, he fulfilled supervisory roles in the organisation under different titles. Like many of his architect contemporaries, Hastings felt that English architecture had lost its way after the Regency period, and that the Modern Movement emerging in Europe in the 1920s showed potential to recover a closer relationship between art and life. The 50 years of Hastings’ career in architectural journalism were the years during which the Modern Movement rose in Britain and, according to many accounts, also began to fall.
The tension between conservatism and progress marked all Hastings’ thinking and enterprises, from his influence on the Architectural Review and the staff that he hired to the paradoxical creation of a neo-Victorian pub as a setting for the leaders of Modernism. Under his direction, the Architectural Review maintained a lively dialogue between past and present. Like many of his contemporaries, Hastings saw architecture as one element in a range of reforming activities, spanning from domestic furnishing and equipment to the planning of cities and regions, and this variety was reflected in the Architectural Review.
Townscape was a word that Hastings claimed (erroneously) to have invented, although he was effective in giving in giving it a new definition and popularising it. Under this heading, using a number of collaborators, he developed the potential of applying Pictureque theory to the problems of post-war cities as a corrective to current orthodoxy, and it is with this long-running project that he is chiefly associated.
The Architectural Review: A Cover Story will feature rare back issues of the journal and other related ephemera on loan from personal collections. The exhibition material has been selected and annotated by writer and researcher Alan Powers, who together with Erdem Erten authored the introduction to Artifice books on architecture’s recent reprint of The Italian Townscape, Hastings’ 1963 publication under the pseudonym of Ivor de Wolfe.
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