Shaun Gladwell: Cycles of Radical Will
Shaun Gladwell's solo exhibition Cycles of Radical Will is the Australian artist's largest in the UK to date.
The exhibition embraces flux and transformation, reflecting the changing seasons during the exhibition. Over the course of five months, works are exchanged to offer a sequence of windows into Gladwell’s artistic practice, unconstrained by the limitations of a single exhibition project.
For Cycles of Radical Will, Gladwell speculates on the creative conflict within various cultural practices and traditions. These conflicts take the form of 'battles' – between beat-boxers and urban dancers, skateboarders and BMX riders, and (Mod) scooter enthusiasts and (Rocker) motorcycle riders – and ultimately between the extreme sports athlete and gravity itself. Tension between these opposing and often complementary practices is the force that drives groups towards innovation or oblivion.
Mini Ramp Intersection (2013) – located on the Roof Terrace - will function as a skate ramp and encourage its users either to joust with one other or calculate their movements to avoid a crash. This work, along with an extensive programme of events, will allow audiences to participate on numerous levels throughout the exhibition. The events will include poetry workshops offered to motorcycle enthusiasts, late-night rooftop skateboarding sessions, film screenings, and flatland skateboarding/BMX jams.
Cycles of Radical Will extends the artist's interest in mythological figures and cultural stories, this time drawing upon those specific to the local area. The figure of Jack-in-the-Green, celebrated inHastings every spring, appears in a series of videos that depict Jack riding vehicles through a variety of environments. At times, the ‘spring’ figure of Jack-in-the-Green transforms into the early twentieth century fictional representation of ‘winter’ Jack Frost. Jack is not a recognisable individual but a representation of characteristics within the human psyche. The fictional status of the figures are then 'grounded' in activities such as motorcycle riding – an activity that itself spawns a sub-culture of followers.
Cinema plays a central role in Gladwell’s practice. In previous works, the artist has referenced George Miller's film trilogy Mad Max. Works for the De La Warr Pavilion draw upon references from an array of films including Robin Hardy's 1973 cult classic The Wicker Man, Sam Raimi's 1981 horror film Evil Dead, David Lean's 1962 epic Lawrence of Arabia, Stan Latham's 1982 hip hop drama Beat Street and Franc Roddam's 1979 film Quadrophenia (connected to The Who’s album from 1973 of the same title).
This exhibition is commissioned by the De La Warr Pavilion.
It will be accompanied by a major publication, the most comprehensive monograph on the artist's work to date. The publication is made possible with the support of the Australia Council for the Arts.
Shaun Gladwell is represented by Anna Schwartz Gallery.
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