Workshop | Improvisation with Objects: An Introduction26. May - 26. May 12 / ended SoundFjord
£5/£4conc | www.wegottickets.com/event/165764
Improvisation with Objects: An Introduction
Improvisation with Objects: An Introduction | Lead by Matthias Kispert, Blanca Regina Pérez-Bustamante, Andrew Riley
SATURDAY 26 May | 2:30-6pm | SOUND//SPACE Project Space
£5/£4 conc www.wegottickets.com/event/165764 and at door
Related Events: Improvisation with Objects: Session One (Metal) | Lead by Matthias Kispert, Blanca Regina, Andrew Riley
SUNDAY 27 May | 2:30-6pm www.wegottickets.com/event/165767 and Improvisation with Objects: Session Two (Ceramics) | 23 June | 2:30-6pm | www.wegottickets.com/event/165769 and Improvisation with Objects: Session Three (Wood) | 28 July | 2:30-6pm | SOUND//SPACE Project Space | www.wegottickets.com/event/165771
Playful collective explorations of the sounds within matter.
Avant-garde art, be it musically, visually or performance based often appears as somewhat elitist, with a defined hierarchy between those who create the work (the artists) and those experience it (the audience). To people who have not had the fortune of being taught all the codes of the artform, the pieces and the settings in which these are shown can be uncomfortable and alienating.
The Material studies project seeks to open these experimental artforms to anyone who wishes to participate in the collective, improvised sonic exploration of various materials and objects. Whether by actively working with the objects, passively absorbing the interactions of others or by expressing a response to the sonic exploration through visual or written acts.
The use of traditional instruments, terminology and tools of manipulation will be avoided. Participants will together develop an improvisational language based solely on the sounds that can be teased out of various everyday objects, with each session being themed around a particular material or object.
No expertise or previous experience is required, instead the sessions focus on the communicative potential of collective improvisation, where every participant needs to listen and react to everything that is happening around, where every gesture has an influence on everything else.
The underlying principle of the project is to promote a corrosion of the space between the artist-performer and the contemplator-audience and to promote the idea that we are all valuable as artists regardless of education or class.
NOTA BENE bring an object with you. Any material; no “traditional” instruments please.
Matthias Kispert is an electronic music composer and artist living in London. His broad range of interests includes audiovisual live performance, composition with found sound, documentary as artistic medium, as well as the relations between artistic practice and wider cultural and social issues. As audio director of media artist collective D-Fuse, he is responsible for the sound aspect and also the conceptual development of much of the group’s work, including videos, installations and live cinema performances.
Blanca Regina is a multimedia artist and visiting researcher from the Rey Juan Carlos University, Madrid. She is at the CCW Graduate School, University of the Arts London for four months (Apr – Sept 2012). Her research interests are cross-media communication, digital humanities, sound art, performing arts, improvisation, visual, theatre studies and education. Blanca is engaged in audiovisual performance art. She works under different persona in solo and collective works with artists such as Toño Camuñas, John Hegre, The Lappetites, Matthias Kispert among others. She is one of the founding members of the Spanish association Mademotion. Action researcher and teacher she engaged with educational projects like Audiovisual Academy, Cátedra Josefina de la Torre (Canarias) and videoframesh (Medialab Prado, Madrid).
Andrew Riley is an award-winning sound designer and editor, and a phonographer and recording engineer based in London. He has experience working across a range of formats and is fascinated by all aspects of sound creation and experimentation, not just in the studio but extending into the world beyond with a well developed yet ever expanding field recording technique. He is Technical Director at SoundFjord, the UK’s only sound art devoted gallery and research unit.
Dates for the diary:
26 May: Introduction, any material
27 May: Metal - with guest, Ryan Jordan
23 Jun: Ceramics
28 Jul: Wood - with guest, Iris Garrelfs
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