Ernesto Cánovas, An American Trilogy 

30. Apr - 26. May 14 / ended Halcyon Gallery (New Bond st.)


10am-6pm Monday-Friday 11am-5pm Sunday

Exhibition | Multi-disciplinary | London

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Ernesto Canovas, The Flamingo Meeting, Mix media and resin on board

Ernesto Canovas, The Flamingo Meeting, Mix media and resin on board

Halcyon Gallery presents An American Trilogy, an inaugural solo exhibition by Spanish artist, Ernesto Cánovas.

The exhibition is titled after a song made popular by Elvis Presley in the 70s. Influenced by history, cinema and popular culture, Cánovas sources images from old and new media to produce evocative, semi-abstract paintings that capture a fleeting moment in time, a snapshot or flash of an event’s memory – the event remaining secondary in importance to that of the image which represents it.

Each work presents the viewer with a duality from which perceived truths are to be questioned and re-fashioned into a new understanding. What is presented is American Contemporary History captured and then demanding to be observed and studied.

Art Critic Jessica Lack describes the work in the exhibition catalogue foreword:

‘The paintings combine Hollywood drama with a more jittery vision of the American dream where the Cold War is never far from the margins. Some of Cánovas paintings depict an unbounded America, a place free of doubt and paralyzing ambiguities in which heroes like John Wayne say, “saddle up” and “let’s ride”. Where men make their own codes, do what they have to do, get the girl and ride home through the cottonwoods. Other pictures are taken from news reports marking historical precedents forever ingrained in the collective memory; the unsteady step of an astronaut against a speckled sky, a towering inferno, or the funeral of John F Kennedy... But the majority of Cánovas pictures capture America’s aspirational life-style - the glamorous girls, the modern apartments, and the idolised stars that once lived in them... ‘An American Trilogy’ in its haunting familiarity, reminds us that nothing in the real world is set in stone, but equally once glimpsed, nothing is ever truly erased.’

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